Chris Forsyth & Garcia Peoples
WXPN Welcomes

Chris Forsyth & Garcia Peoples

Performers:
Chris Forsyth
Garcia Peoples
Long Hots
Ages 21+
Chris Forsyth & Garcia Peoples at Johnny Brenda's in Philadelphia
  • 8PM - Doors
  • 9PM - Long Hots
  • 10 PM - Garcia Peoples
  • 11PM - Chris Forsyth

CHRIS FORSYTH

CHRIS FORSYTH is a lauded guitarist and bandleader whose widescreen art-rock, fusing taut compositions and mercurial improvisations, has earned him a reputation as one of the most distinctive and critically acclaimed guitarists and songwriter/composers working today. It’s become commonplace to hear Forsyth’s name mentioned in the same breath as masters like Richard Thompson, Neil Young, and Television’s Tom Verlaine and Richard Lloyd.

Pitchfork called his music “a near-perfect balance between 70s rock tradition and present day experimentation,” NPR Music named Forsyth “one of rock’s most lyrical guitar improvisors,” the New York Times calls him “a scrappy and mystical historian… His music humanizes the element of control in rock classicism (and) turns it into a woolly but disciplined ritual,” and the Philadelphia inquirer says “ Forsyth is redefining the concept of the guitar hero in indie rock.”

His most recent release, the 75-minute double album masterwork All Time Present was released in April 2019 on No Quarter, and has been met with universal acclaim, with Uncut calling it “utterly compelling,” Mojo noting that “Forsyth’s brilliance and ambition conclusively overwhelm his influences,” and the The Guardian giving the record a "5 star” rating

GARCIA PEOPLES

Consider Natural Facts by Garcia Peoples to be your heady, friendly reminder that it’s alright to let the sunshine in. The second album in less than a year from those lovable New Jersey moptops with the sweet twin guitars, Natural Facts provides a portal to the carefree place that both indie rock and jam bands forgot, and a handy alternative to whatever you may need an alternative from. Bolstering the summer glow of 2018’s Cosmic Cash with flashes of fuzz, teeth, and power, Natural Facts is a natural progression for Garcia Peoples.

The more driving counterpart to its rural predecessor, Danny Arakaki and Tom Malach’s guitars remain at centerstage on machine gun shreds like the album-opening “Feel So Great” and the rolling grooves like “High Noon Violence” (which would fit right in with one of David Crosby’s early ‘70s studio supergroups). Playing cleanly articulated lines that perhaps recall any number of other guitar tandems–Allman/Betts, Verlaine/Lloyd, Jansch/Renbourn–Garcia Peoples’ guitars are most influenced by the sound of two guys hanging out, figuring out how to play guitar together.

With Derek Spaldo (bass) and Cesar Arakaki (drums), the quartet is joined on roughly half the tracks by keyboardist Pat Gubler (PG6, Wet Tuna, Tower Recordings), who–since contributing to Natural Facts–has become a frequent auxiliary Garcia. On the quieter passages of “Patient World,” Gubler’s zones set Tom and Danny’s entwinements into an atmosphere that suggests what the briefly-lived never-recorded Barrett/Gilmour Pink Floyd lineup might have done, given another few years.

Discovering the secret and perhaps even endangered language of riffs, Danny and Tom formed Garcia Peoples in Rutherford, New Jersey in 2011 or 2012, depending when you ask). And over the past year and change, Garcia Peoples have hit launching speed, writing albums’ worth of material too fast to release. While Natural Facts is the perfect introduction to the band’s light-footed cosmic Americana, it’s only one piece of an emerging picture that perhaps Garcia Peoples don’t even quite see yet. The tapers have started showing up for Garcia Peoples, too, keeping track of the evolving song suites. Despite only having one official full-length under their belt, the band barely repeated a song over their four shows during their weekly residency at Brooklyn’s Wonders of Nature. Depending on when you’re reading this, the next Garcia Peoples show will almost certainly contain pieces of album #3 and quite probably #4, too.

It’s been a small, happy wonder to watch Garcia Peoples transmit themselves to the outside world. From up close, they’re almost too omnipresent to keep track of, playing frequently, and out watching shows around Brooklyn on nearly any other given night. Honing their chops first at their respective parents’ places, playing until they had to unplug for the night, Arakaki and Malach would inevitably retire to the 7-11 parking lot. There, they pieced together the emerging jams, fragments, verses, and other stray ideas they had yet to write, until–at least in the Garciaverse–they coalesced into distinct albums. Then they just had to record them. As of this writing, they’re only one album behind. Like a road map with constantly changing coordinates, the Garcias’ master plan is only barely that, but they plunge into the next territory with an infectious enthusiasm.

Tracked in Philadelphia with Jeff Zeigler (Kurt Vile, War on Drugs, Mary Lattimore), Natural Facts isn’t a throwback, as much as Garcia Peoples sometimes accidentally sound like a band one might stumble into at New York’s late Wetlands Preserve in the mid-‘90s. Rather, it’s a newly emerging conversation, songs and structures and solos and duos drawing from the latest and most right-on musicians to cross Garcia Peeps’ collective transom.

The classic rock guitarists of yore might be obvious subsequent touchstones, but bend your ear and newer colors emerge, generated from hours and years of talk and music. Listen close. Nothing inorganic here, just pure Natural Facts.

– Jesse Jarnow

LONG HOTS

Third Man is very excited to release the debut vinyl single from “boogie trance” trio Long Hots. What ink can we spill about this trio of Philadelphian rollers that hasn’t already been hyperbolied in year-end lists worldwide? Their ‘Monday Night Raw’ cassette never left our deck since it’s release and we’re proud as all hell to release their first ever 7” of fried zoner boogie blues.

Long Hots are the true Philly phrenetic, an unpolished combo of fuzzed out & agitated guitar, undercurrent bass choogle and bare bones drums. Theirs are the kind of long-form weighty psych jams that bring to mind heroes like Moe Tucker, Stooges and Dead Moon. Tasteful, smart, fun and fresh for your late summery nights.

A-side song Give and Take is 4 sturdy minutes of drone garage groove capturing the feeling of loose tension in between giving and taking and pushing and pulling. On the flip side, Nickel and Dime is a mucky pop song zeroing in on a dude unfit to pull his own damn weight and, from the sounds of it, not worth the trouble. - Third Man Records

Venue Information:
Johnny Brenda's
1201 N. Frankford Ave
Philadelphia, PA, 19125