R5 Presents
The Very Best
Grandchildren
Sun, August 12, 2012
Doors: 8:00 pm / Show: 9:15 pm
Johnny Brenda's$13.00
Tickets
This event is 21 and over
All shows are 21+ Proper I.D. required for admission
http://www.johnnybrendas.com/event/140650/Facebook comments:
The Very Best - (Set time: 11:00 PM)

Born out of the love of hip hop’s ethos to consistently push the boundaries forward by extrapolating what was unique about the past and what is radically refreshing about the future, Radioclit’s Etienne Tron and Johan Karlberg have teamed up with Malawian songsmith Esau Mwamwaya to form The Very Best, an epic global partnership with the sole aim to re write western pop rules in a language which is not English. Esau who moved to London 7 years ago ran into Etienne in the second hand furniture store he ran in Hackney, located on the same road as their production studio. After regular chats about the state of global music the French/Swedish DJ/Production duo decided to invite Esau into the studio to lay down some betas, what was born out of fun and a mutual love of rhythm became something far grander.
Grandchildren - (Set time: 9:15 PM)

Grandchildren began in 2008 as the solo recording project of Aleks Martray, forging intricately layered arrangements with only an acoustic guitar, a mic and a loop pedal. Since then, it has evolved into a 6 piece pop-orchestra known for its high energy live performances featuring dueling drums, circuit bending electronics and an instrument swapping horn section. On stage, the tiny 5’3″ frontman remains stoic, at the eye of the storm, encircled by a whirlwind of animated instrumentalists, belting out melodies in a voice that defies his own stature. Martray attributes Grandchildren’s eclectic sound to his nomadic upbringing in a military family across Europe and the US and his journeys throughout Latin America as a young adult:
“I think when you live and travel all over the world from such a young age your mind constructs a sort of map that is an amalgamation of all of these different worlds. I see the music as a soundtrack for this puzzle-like landscape that otherwise would exist only in my head.”
As their 2010 debut album Everlasting aimed to piece together the feel of various places, their new record attempts to collage together various points in time.
Golden Age reads like a scrapbook in homage to that elusive era that serves as a reference point for how we’d like to remember “the way things used to be”, how they “ought to be”, but probably never really were. The recordings stem from this concept musically, pulling from a vast array of influences, and thematically, swirling around it from all angles with songs of hope and disillusionment, optimism and doubt, nostalgia and anticipation, caution and regret. The cinematically layered musical arrangements set the stage for unique vocal stylings that take on a range of characters in what Martray describes as something akin to method acting. “The lyrics are simple because it’s all subtext to the music. They’re more like the voice of a character and the music is the setting, and so the story unfolds between them.” As these scenes play out, what unfolds is a narrative about how we project our fears, hopes, desires on everything and everyone around us, forcing our simplistic ideals on a complex world.
“I think when you live and travel all over the world from such a young age your mind constructs a sort of map that is an amalgamation of all of these different worlds. I see the music as a soundtrack for this puzzle-like landscape that otherwise would exist only in my head.”
As their 2010 debut album Everlasting aimed to piece together the feel of various places, their new record attempts to collage together various points in time.
Golden Age reads like a scrapbook in homage to that elusive era that serves as a reference point for how we’d like to remember “the way things used to be”, how they “ought to be”, but probably never really were. The recordings stem from this concept musically, pulling from a vast array of influences, and thematically, swirling around it from all angles with songs of hope and disillusionment, optimism and doubt, nostalgia and anticipation, caution and regret. The cinematically layered musical arrangements set the stage for unique vocal stylings that take on a range of characters in what Martray describes as something akin to method acting. “The lyrics are simple because it’s all subtext to the music. They’re more like the voice of a character and the music is the setting, and so the story unfolds between them.” As these scenes play out, what unfolds is a narrative about how we project our fears, hopes, desires on everything and everyone around us, forcing our simplistic ideals on a complex world.
Venue Information:
Johnny Brenda's
1201 N. Frankford Ave
Philadelphia, PA, 19125
http://www.johnnybrendas.com/
Johnny Brenda's
1201 N. Frankford Ave
Philadelphia, PA, 19125
http://www.johnnybrendas.com/
