Ape School, Ramona Falls

Johnny Brenda's Presents

Ape School

Ramona Falls

The Interest Group

Sat, February 9, 2013

Doors: 8:00 pm / Show: 9:15 pm

$12.00

This event is 21 and over

All shows are 21+ Proper I.D. required for admission

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Ape School - (Set time: 11:15 PM)
Ape School
Junior Violence begins with a death rattle of the most optimistic sort. Half-synthesized and half-howled, the first song on Ape School's new album sums up birth, death, and the guilt you face as you drop the needle on side A:

Did you know you fucked yourself?

Everything is on the other side of that question. Answer it and you'll wonder why you're just now fessing up. Tell your truth and the Oberheim OB-8 will cascade like a waterfall. The bass line will try to feel you up. It's all foreplay for the anthemic "Marijuana's on the Phone" and the nine tracks that follow, adding up to the second album from Ape School, the flaming sigil for a man named Michael Johnson. Junior Violence is part confession, part blitz, part hangover, and part ascension.

The Ape School equation, worked out in real time on the I-95 corridor, is audible in Junior Violence's forty minutes. Experience, context, the skill to build a raging fire, and the confidence to toss ideas straight into the blaze drove Michael Johnson to embrace first takes, to fuck up, to play match maker between Pink Floyd and Prince, between Soft Machine and Queen, and to build a band out of geniuses. The album and live lineup features Eric Slick on drums, who joined Ape School while he was playing with Adrian Belew (King Crimson) and who went on to join Dr. Dog. Liz Boyd, Scott Churchman, Adam Ravitz, Zach Poyatt, Beachwolf, and a rotating roster of former students perform as Ape School and round out its undeniable wall of sound.
Ramona Falls - (Set time: 10:15 PM)
Ramona Falls
Like most of us, Brent Knopf watches a lot of YouTube videos, only he's not watching kittens playing piano. Rather, his tastes err on the more experimental side of things—like people who attempt perpetual motion machines using magnets. "I love that they're trying to harness an endless supply of energy," says the Ramona Falls frontman, "and that they go against conventional wisdom in the hopes of true discovery."

Which is exactly what Knopf did last year, when he decided to quit the acclaimed art rock trio Menomena and devote his time to one epic, personal vision. Prophet, the second Ramona Falls album, is sonically, lyrically and thematically brighter. It's also more organic and personal than anything he ever contributed to Menomena, or as the singer/multi-instrumentalist explains, "it's more of a rapid transit line between my sleeve and my heart."

"With Ramona Falls I am exploring what I stand for which makes it more personal to me," Knopf admits. "I'm less worried now about being made fun of, than I was before. I can now say things I believe in, and some people may think it's stupid or cheesy…but that's kind of fun. I would much rather speak from the heart than hide behind impenetrable obfuscation."

Recorded with bandmates Paul Alcott (drums, and also, ironically, Knopf's replacement in Menomena), Matt Sheehy (guitar), and Dave Lowensohn (bass) and featuring guest appearances by four other friends, the stunning album begins with "Bodies of Water," an emotive and rousing anthem about how intimacy bundles together both nourishment and peril. "Spore," a heartfelt highlight of Prophetbears a substantive core: "I like the idea of someone refusing to feel lonely, despite how utterly alone they might actually be," Knopf explains. "It's a form of rebellion." But the 11 tracks are not all exercises in introspective fragility; "Brevony" is Knopf's most unleashed moment with gnarling guitars ambushing the listener at the chorus on all sides.

Prophet, the album's title, is an homage to Knopf's religious upbringing, a titular reference to a worldview that reveres exalted seers who assert meaning despite the chaos. But as the newly empowered songwriter has discovered with Ramona Falls, it's a better strategy to embrace the chaos. And then refashion it into a beautiful noise.
The Interest Group - (Set time: 9:15 PM)
The Interest Group
The Interest Group is a project which began as a recording partnership between its founding songwriters/producers, Marissa Lesnick and Yohsuke Araki in fall of 2011. While the musical style is malleable, the songs are still tied together by their voice, production technique, and sensibilities grounded in and around pop music. In their polarized aesthetics converge; equal parts grandiose pop of the 60’s and introverted sonic soundscapes of the 70’s onward.
Venue Information:
Johnny Brenda's
1201 N. Frankford Ave
Philadelphia, PA, 19125
http://www.johnnybrendas.com/