Broncho

Johnny Brenda's Presents

Broncho

Brass Bed, Haggard

Fri, January 17, 2014

Doors: 8:00 pm / Show: 9:15 pm

$10.00

This event is 21 and over

All shows are 21+ Proper I.D. required for admission

Broncho - (Set time: 11:15 PM)
Broncho
Stick your head out the window and sniff the air: there’s a blizzard of badness brewing, and it’s not blowing over
anytime soon. Sure, the political leaders, bullies, and other villains of various venoms are dominating the headlines,
but these days the list of troublemakers extends well beyond the usual suspects.
From their home base in the Heartland, Tulsa, Oklahoma’s BRONCHO have a unique vantage point from which to
survey the sins. Churning out thoughtful, nuanced rock and roll with an art school spirit and a punk rock heart since
2010, the band’s fourth album, Bad Behavior, finds them leaning into their strengths for their strongest effort yet.
Following the catchy, playful vibe of previous albums Can’t Get Past the Lips (2011) and Just Enough Hip to Be
Woman (2014), as well as the deliberate sonic intent of 2016’s sludgy, moodier art piece Double Vanity, the new
record reveals BRONCHO’s fly-on-the-crumbling-wall vision of our moral climate, complete with a reenergized,
accessible sound and the charmingly sardonic, smiling-while-sneering delivery of singer and bandleader Ryan
Lindsey.
“It’s a reflection of the current world: everybody’s been acting badly over the last few years so we made a record
about it,” Lindsey says. “There are multiple ways of portraying something as ‘bad,’ and there are moments of selfreflection
throughout the record as though we could be talking about ourselves—but not necessarily. It’s
observational, like we’re looking through muddy binoculars from a distance. It’s a blurry mirror image of the times
from where we sit.”
Lindsey (vocals/guitar) and the band—Nathan Price (drums), Ben King (guitar), and Penny Pitchlynn (bass)—are a
tight unit who have seen their songs featured at influential TV and radio and have toured the U.S. and Europe,
including arenas with the likes of Queens of the Stone Age, The Growlers, Portugal.The Man, and Cage The
Elephant. In the gritty warehouse district of Downtown Tulsa they have carved out a physical place for themselves,
an industrial blank space where BRONCHO can experiment with sounds, performance, visuals, and more. It’s where
they recorded Bad Behavior with producer Chad Copelin in the first half of 2018, a controlled process that allowed
them to work at their own pace and by their own standards, almost like a secret club.
Bad Behavior slinks and purrs with a sense of lascivious flirtation. Lindsey sings with a mischievous twinkle in his
voice, peppering his verses with suggestive uh-ohs and ahhs and at times barely pushing out his words to the point
of whispering. Lines like “You caught me in the weekend/You caught me with your boyfriend” (“Weekend”) and “I
got a thing for your mother/I got a thing to teach your father” (“Family Values”) match the primal pulse of the
songs’ moods and vibes, and their pop sensibilities create a world where T. Rex, Tom Petty, The Cars, and The
Strokes collide. “Keep It in Line” chimes along to a driving, pepped-up beat and serves as both the album’s catchiest
moment and its closest swerve toward ethical commentary, as Lindsey’s narrator demands to be reminded of his
place in the world while attempting to submit to his misgivings. The result is less an act of penance and more of
honest reproach, an ultimate judgment that is matched in its directness only by the following track, “Sandman,” an
overt yearning for pleasure that Lindsey calls the band’s answer to The Chordettes classic “Mr. Sandman.”
The record is filled with references to religion, sin, drugs, vice, and scandal bubbling just under the surface. It’s a
palette familiar to anyone who has ever turned on the evening news, which Lindsey admits was a huge influence on
him. “Through the writing process I watched a lot of CNN, and man there’s a lot of bad behavior there,” he says.
“Not to mention that there’s a company making money off of people watching their depiction of it all. From an
entertainer’s standpoint I get what they’re doing, calling everything ‘breaking news’ and keeping people glued, but
taking up that kind of space can’t be good for society. Although it’s pretty fun to watch.”
Can all this unsavory activity exist without taking sides? Lindsey holds tight to his role as a relayer and is
comfortable with leaving it to the audience to cast their own lot. “We’re assuming that everybody is coming from a
certain set of values, but ultimately that’s impossible,” he says. “There’s a lot of people who think a certain way
about the world and aren’t as shocked by these things. Maybe we’re simply trying to start the conversation. The best
news is just a report of what’s going on, without bias. This record is a non-biased, non-profit reporting on what’s
going on in the world. Part of it’s an exploration in solving those problems, on a personal level and ultimately on a
cultural level.”
Bad Behavior represents a picture of a band that have crushed their own commercial expectations and are doing
what they want to do at their own pace. They’ve cleaned the slate and quietly made a return with urgent, bonafide
pop songs. If you want to catch a whiff of Bad Behavior, simply stick your head out the window and breathe.
Brass Bed - (Set time: 10:15 PM)
Brass Bed
Listen through the ethereal haze that Brass Bed has created on The Secret Will Keep You, and you will find a soulful band suspended in a moment of frustration and anxiety. It’s the sort of frustration that comes from growing old and realizing that the light at the end of the tunnel may just be the remnants of some dying star. You were a kid once. Maybe your dad put you on his knee and said “Kiddo, you sure are handsome, smart, and talented. The sky is the limit if you set your mind to it!” Well the truth is, that was kind of bullshit. Chances are, you were only one of those things if any of them at all, and you’ll spend your life amid the great unwashed, grasping at whatever straws you can to express a promised individuality that’s slowly turning out to be lie. They also didn’t tell you that your dream job, your dream girl, your dream you, were really all just that: dreams.The Secret Will Keep You is a cold awakening from that fever dream sound.

After two album cycles playing studio maestros and pop aficionados, the Louisiana quartet found itself confused. On the one hand, it had cultivated an image of playful poppiness, a kind of 21st century mop topped fuzz rock that sought to dilute the dourness of their records lyrics with saccharine pieces of earcandy. Sent through the band’s itchy live energy, the songs became faster, trashier, and splendidly erratic, creating a disconnected identity between studio and stage. As they settled down to make their 3rd LP, they were determined to ditch the obtuse lyrics, playground song craft, and squeaky precision and bare their teeth, plaque and all. The result is a maddening blend of swirling, biting psychedelia, at once as pensive as a black hole and explosive as a dying star. A universe of guitar feedback and deconstructed keyboard beds pulling the listener apart in the gravity of full analog stereo.

The band recorded The Secret in a single 10 day session with Danny Reisch at Public Hi Fi Studios in Austin, Texas, putting everything down live to tape. The compressed schedule and quick change recording methods helped Brass Bed capture the anxiety, humor, and honesty that is the molten core of this record and also the spirit of the band at the time of its creation.

From the wry and acerbic indictment of faith in “Cold Chicory” to the pleading lonesomeness of “I Guess I’ll Just Sing” to the outright romantic frustration of “A Bullet For You,” the album invites listeners to join the band as they traverse what lies between joy and regret, bliss and distress. These creations are still living, breathing things and that Brass Bed will only inject with more life and spirit as they continue to grow as writers and musicians. Catch up with them now before they leave you in their considerable wake.
Haggard - (Set time: 9:15 PM)
Haggard
Heavy stiff ones.
Venue Information:
Johnny Brenda's
1201 N. Frankford Ave
Philadelphia, PA, 19125
http://www.johnnybrendas.com/