Lightning Bolt (Show Moved To First Unitarian Church)

R5 Productions Presents

Lightning Bolt (Show Moved To First Unitarian Church)

Buck Gooter

Thu, May 14, 2015

Doors: 8:00 pm / Show: 9:00 pm

$12.00 - $14.00

Sold Out

This event is 21 and over

All shows are 21+ Proper I.D. required for admission

Lightning Bolt (Show Moved To First Unitarian Church) - (Set time: 10:00 PM)
Lightning Bolt (Show Moved To First Unitarian Church)
Over the course of its two-decade existence, Lightning Bolt has revolutionized underground rock in immeasurable ways. The duo broke the barrier between stage and audience by setting themselves up on the floor in the midst of the crowd. Their momentous live performances and the mania they inspired paved the way for similar tactics used by Dan Deacon and literally hundreds of others. Similarly, the band’s recordings have always been chaotic, roaring, blown out documents that sound like they could destroy even the toughest set of speakers. Fantasy Empire, Lightning Bolt’s sixth album and first in five years, is a fresh take from a band intent on pushing themselves musically and sonically while maintaining the aesthetic that has defined not only them, but an entire generation of noisemakers. It marks many firsts, most notably their first recordings made using hi-fi recording equipment at the famed Machines With Magnets, and their first album for Thrill Jockey. More than any previous album, Fantasy Empire sounds like drummer Brian Chippendale and bassist Brian Gibson are playing just a few feet away, using the clarity afforded by the studio to amplify the intensity they project. Every frantic drum hit, every fuzzed-out riff, sounds more present and tangible than ever before.

Fantasy Empire is ferocious, consuming, and is a more accurate translation of their live experience. It also shows Lightning Bolt embracing new ways to make their music even stranger. More than any previous record, Chippendale and Gibson make use of live loops and complete separation of the instruments during recording to maximize the sonic pandemonium and power. Gibson worked with Machines very carefully to get a clear yet still distorted and intense bass sound, allowing listeners to truly absorb the detail and dynamic range he displays, from the heaviest thud to the subtle melodic embellishments. Some of these songs have been in the band’s live repertoire since as early as 2010, and have been refined in front of audiences for maximum impact. This is heavy, turbulent music, but it is executed with the precision of musicians that have spent years learning how to create impactful noise through the use of dynamics, melody, and rhythm.

Fantasy Empire has been in gestation for four years, with some songs having been recorded on lo-fi equipment before ultimately being scrapped. Since Early Delights was released, the band has collaborated with the Flaming Lips multiple times, and continued to tour relentlessly. 2013 saw the release of All My Relations by Black Pus, Chippendale’s solo outlet, which was followed by a split LP with Oozing Wound. Chippendale, an accomplished comic artist and illustrator, created the Fantasy Empire’s subtly ominous album art, and will release an upcoming book of his comics through respected imprint Drawn and Quarterly. Brian Gibson has been developing the new video game Thumper, with his own company, Drool, which will be released next year. And, of course, Lightning Bolt will be touring the US in 2015.
Buck Gooter - (Set time: 9:00 PM)
Buck Gooter
Finer Thorns is the Buck Gooter’s 18th album in 14 years, and second for independent Philadelphia label Ramp Local. The duo -- self-described as a "primal industrial blues band" -- has managed to gain the recognition of underground luminaries like Henry Rollins, and has toured both the United States (every year for the past 14 years) and Europe with A Place To Bury Strangers, Guerrilla Toss, The Sediment Club and ONO - their live shows are possibly even more energetic than their breakneck recordings. In performance, vocalist/synthethist/percussionist Billy Brat will flail around the room, brandishing his iconic serpent-like facial expression -- tongue out, eyes rolled into the back of his head. Terry Turtle dawns his signature mask and chain mail, his acoustic guitar hangs low around his neck and is adorned with a hallucinatory painted finish; he's a stoic figure while Billy thrashes about the stage.

Musically, Buck Gooter's sound is filled with manic howls, melodic synth sequences, crisp and pummeling drum machines, and highly distorted guitar, resulting in a cacophonous punk-industrial haze a la Nine Inch Nails, Iggy Pop and Grinderman. Finer Thorns is their most refined record, but by no means should “refined” be confused with “gentle.” In many ways, Finer Thorns is a protest album, musing on the environment, violence, resource allocation, and colonialism - spoiler alert: they’re not into colonialism. Buck Gooter’s interpersonal dynamic is also moving, and imperative to understanding why the band is so unique. There’s about a thirty year age gap between Billy and Terry, but you probably couldn’t tell by the band’s balance. Spend a few minutes talking to Buck Gooter, and you’re liable to be shocked and inspired. In the band’s 14 years, Buck Gooter’s been a subcultural force, but following their first LP on Ramp Local, 100 Bells, Buck Gooter’s finally started to crest their head out of their underground hole.
Venue Information:
Johnny Brenda's
1201 N. Frankford Ave
Philadelphia, PA, 19125
http://www.johnnybrendas.com/